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How to provoke reappraisal of your brand.
- The most comprehensive warranty in the business.
- A direct appeal to rethink Hyundai, based on fact and accomplishment, not bravado.
- A buy back program that showed great insight into the real issue facing consumers in the recession (consumers who had jobs but feared not having one later in the year).
- A risky move into the near luxury sedan market with Genesis.
Open letter to Detroit: think like a technology brand
Throughout the last century the automobile stood for freedom, mobility and joy. Hitting the open road expanded our horizons and put a bigger world within our reach. Cars represented modern life at its best. But that was then.
Today, it is technology that defines modern life. Technology liberates and connects. Each new smart phone, wafer-thin laptop and lifelike home theater joyfully proclaims that today is better than yesterday.
Technology brands are the new “car.”
I don’t advocate that GM or Ford or Toyota begin behaving in some geeky kind of way. Rather, it should take its cues from brands such as Sony, Apple, Google or GE. These brands deliver a sense of boundless optimism that was best expressed by Microsoft’s old themeline, “Where would you like to go today?”
For those who question the wisdom of focusing on branding strategies given the myriad issues GM faces, I have one simple word: Malibu.
In 2007, GM revamped the Chevy Malibu from top to bottom to compete with the Toyota Camry and Honda Accord, two cars that have ruled the midsize sedan market for years. The result is a $20k car that looks, drives and feels like a luxury sedan.
Consumer Reports recommends the new Malibu. Kelly Blue Book concludes that it looks like a $40k car. JD Power ranks the Kansas City factory that builds Malibu as one of the top three quality plants in the country. It was voted Car of the Year. Nevertheless, more than twice as many people bought a Camry last year. Brand equity matters.
Here are some initial steps companies such as GM and Ford can take to begin behaving like a technology brand.
First and foremost, auto manufacturers must create modern cars. This isn't just about whiz-bang features or alternative fuel vehicles. Modern cars are best defined by the more relevant relationship they create with their customers. Modern cars are democratic, offering the latest technologies to all, not just in the top of the line models. Modern cars liberate us from old compromises by proving that design and performance can co-exist with safety and environmental responsibility. Modern cars are an extension of the personal technologies that make our lives smarter, better organized and more entertaining. And modern cars look, well, modern.
Third, lift a page from Apple, the tech brand that teaches the master class on marketing. Here are four lessons drawn from the iPhone launch:
- Design, design, design: The iPhone looks like nothing else. It took no cues from category norms and wasn’t an exercise in incrementalism. Design reigns supreme at Apple. Steve Jobs is manic about design. Jonathan Ive, Apple’s head of design, is a rock star. It’s time to elevate the automotive designers to be the face of the company instead of the suits. Let's see car designers on the cover of Fortune, Wired and People, not the CEO. After all, auto companies are industrial design firms.
- Limited supply: Here’s a very simple rule: a company shouldn’t produce more product than it can profitably sell. Sounds simple, but seldom happens. Limiting supply negates the need for brand-sucking rebates and tent sales. Apple is genius at this.
- New distribution model: Sales associates at Apple stores are trained to be living ambassadors of the brand. Consumers may not get this same experience at the average car dealership. So here’s where an auto company needs to swallow a brave pill. Don’t sell the next hot new car through dealerships. Signal change by changing where the car is sold. Establish centrally located shopping galleries – in malls, in airports, in downtown business districts – staffed by the same well-trained ladies and gentlemen hired for car shows. (Dealers must still be reasonably compensated for any sales occurring in their market area since they will play a crucial role in providing ongoing service. Fixing a car is a tad more complex than fixing an iPhone.)
- Advance buzz: When Apple launched the iPhone it generated a huge amount of curiosity by doing the exact opposite of what auto companies do: Apple said nothing. Auto companies tend to debut the concept car three years in advance at an auto show, create websites offering sneak-peeks, and give car magazines early test drives in return for good coverage. And what happens? The buzz peaks well ahead of the product's retail launch. The new mantra must be to reveal less and intrigue more. (Dealers did this quite well back in the days when they'd cover up new models until launch day to keep curious faces pressed against store windows.)
Last century, Detroit pioneered mass production to democratize the automobile and bring freedom, mobility and joy to more people. Cars lost this sense of child-like wonder as they grappled with grown-up issues such as safety, fuel economy and global warming. Going forward, which company will be the automotive brand that best democratizes technology to solve these challenges and let us to rediscover that sense of wonder on the open road.
A caveman's guide to branding.
To be sure, Geico's overall goal is to position itself as a better value. Its USP has been unchanged for years: "15 minutes can save you 15% or more."
It uses the lovably cheeky gecko to communicate the overall value message.
It uses the caveman with a chip on his shoulder to to communicate ease and convenience.
It uses celebs right off the D-list to communicate its commitment to customer service.
And now it is using a leering pile of cash to communicate low price.
Contrary to what one might expect -- i.e., a blurry cacophony of messages -- each of Geico's messages breaks through and stands on its own feet, is unified by a brand personality that is likable and humorous and, ultimately, supported by the 15% USP.
Go Forth.
Wieden + Kennedy’s new campaign for Levis is stunning in its truth, its insight and its audacity.
The great brands are underpinned by an essential and enduring truth. By linking to the words of Walt Whitman and, on its new website, the United States Constitution, Levis has reconnected with the truth of its brand. Levis is America. And America has always been shaped by people with the courage and tenacity to dream and work towards a better tomorrow.
Its unique insight is in seeing the hollowness of most Millennial-targeted messages of hope and optimism, or perhaps more specifically, how bankrupt these messages must feel to Millennials in the current economy. Instead, “Go Forth” implies that hope and optimism are found by individuals who venture forward and work towards their dream. True of the framers of our Constitution. True of the gold miners in 1849 (the original denim crowd). True of Mr. Whitman. It must also be true of people today if we are to achieve our potential.
But the audacity, the brilliant audacity, to create a website in which citizens can co-create, edit and share their take on the Constitution is to be celebrated. It transforms the Constitution into a communal wall posting which, if you will momentarily suspend your judgment about that concept, is exactly what the Constitution needs to be: a living, shared, and debated document chronicling the will of the people.Go forth indeed.
Lion hunting.
BD'M was hired by the Chambers Hotel in Minneapolis to draw more guests into its bar, linger a bit longer, and, of course, run up higher tabs to boost the luxury hotel's revenue.The result was a faux surveillance video that led guests to believe they were privy to live security shots around the hotel. We included shots of actual guestroom interiors interspersed with a variety of staged scenes - a nun praying to a man in a chicken costume, an alien in the hallway to a blow-up doll on a bed. The video, designed to complement the Chambers' collection of original contemporary art, helped deliver a double-digit increase in traffic to the bar.
It's an exciting example of the role and effectiveness of nontraditional media in solving business challenges.
To watch a excerpt, visit bdm.net, and click on brand experiences/chambers.
A battle of business models.
This point of view implies that each company competes through a single, overarching business model. But can a company compete by spreading its bets across multiple business models?
This was on my mind when I read an article in yesterday’s New York Times about how Amazon will employ three different business models to sell books. As we all know, Amazon’s core business is selling pulp books direct to consumers. And, with Kindle, Amazon is now in the business of selling digital downloads of e-books. But Amazon has decided to also sell its e-books on competitive services, such as iTunes, for the same $9.99 price it charges Kindle owners.
Jeff Bezos and company have created three different models, a move primarily designed to follow the customer and preempt competitors, and also produce a healthy side-effect – greater internal competition to drive ongoing innovation and greater focus.
Strategy guru Michael Porter has long said that alignment is the test of a great business strategy – i.e., a unique value proposition, delivered through a differentiated value chain, with all activities aligned, and all connected back to the balance sheet. Porter’s litmus test doesn’t go away, rather companies will have to apply this thinking across several business models simultaneously – a game of three-dimensional strategic chess.
How to reposition a brand.
- They've taken their name and created a logical brand association: sun --> solar --> green --> healthier planet.
- They are forging this brand association through actions, not just words. (Solar powered manufacturing plant, biodegradable packaging)
- They are using unique media properties to reinforce the brand idea.
- They are tapping the power of PR and crowd-sourcing to seek and fund other ideas for a healthier planet.
- They are aligning the company's philanthropic investments behind this idea. (Donating $1m to create a solar-powered recovery center to help a tornado ravaged town get back on its feet.)

The lesson of BMW Films
BMW Films made its online debut in 2001 with short films produced exclusively for the web by marquee talent, including directors John Woo, Ang Lee, Guy Ritchie, Tony Scott among others, and starring actors such as Clive Owen, Madonna, Mickey Rourke, Forest Whitaker and Don Cheadle. The Hire consisted of eight action-packed episodes featuring Clive Owen putting the ultimate driving machines through the paces.
The Hire was ahead of its time. Broadband penetration in the United States in 2001 was less than 20%. (Remember the tedium of viewing rich content on dial up?) The films couldn’t capitalize on social media because Mark Zuckerberg, Tom Anderson and Steve Chen (founders Facebook, MySpace and YouTube, respectively) may still have been in high school at that point.
Yet, back in the day, these films broke new ground by changing how we viewed the web. Up to that point, marketers used the web as a substitute for print. Sites functioned like online brochures -- very heavy on text and photos. BMW Films showed that the web didn’t have to be static – it actually could be a replacement for TV, using sight sound and motion to engage viewers.
And that's precisely why the question posed in Adweek misses the point. BMW Films used the web like TV. Right for then, wrong for now. The web has changed dramatically since 2001. It is no longer about one-way broadcasting. It’s about ceding control, co-creation, relevant functionality and crowd-sourced input.
Contrary to Adweek's story, branded content is not struggling to find its footing, an assertion that seems weighed down by a Hollywood-centric definition of content. Branded content is flourishing in new ways that are more tailored for Web 2.0. Subservient Chicken allowed consumers to control the entertainment. T-Mobile’s flash mob campaign capitalized on social media. GE’s online effort for ecomagination and Nike’s mobile initiative both used augmented reality to glue our eyeballs to the brand.
We should tip our hat to BMW Films and appreciate what it unleashed. But instead of looking backwards, we should embrace its essential lesson: Consider how consumers are using the web today, then rethink it and set the bar higher.
Project Natal
The new human interface for Xbox is mind-bending. No controllers whatsoever. You are the controller. It reads body movements. It makes Wii look old fashioned.
I'm not a gamer. I'm more fascinated about the implications this technology can have on product design -- e.g., computers, home entertainment, retail.
It seems the technology we witnessed in Minority Report wasn't so far in the future after all.
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